Artist: Cathy Franzi

It is always so nice to see people you have bumped into through life making it happen. I remember the last critique in regards to Cathy’s work at Australian National University so well. I remember holding her small intricate scraffito containers, like a seed in my hand. Cathy was so connected to Australian flora. I got glimpses of seeing her work things out, trying to figure out how she could say what she needed in its regards through the making of pottery.

I am glad to see that her body of work done and her goals met. As she says:

My proposal was as follows: research into a linocut style sgraffito technique and suitable form to express Australian flora and the impact of environmental degradation.Β  My journey was to take each of these components and to explore them deeply; intellectually, technically and creatively.

I have stumbled across an article written by her that explains and concludes her time spent at ANU. It is eloquently written with sentences like:

Being in the bush can be a simpler state of being. It also reveals a distance from the human built context and environment. It shows that that the human world is fragile and impermanent and the natural world is complete, bigger and self sustaining, or something like that.

It pains me to think that we never talked about the wild extremes of our countries. Especially since her sentiments towards nature are so akin to my own. Being here at tower and simply watching the trees, birds, and bears all day in isolation draws me towards her work. At the time I was even experimenting with australian fauna imagery on my pots through transfers. I was trying to wrap my head around a dichotomy of cultural icons, Australia vs. Canada. I always came back to nature and landscape. Needless to say the article is worth a read. So do so here.

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